Anyone who speaks English, or has tried to learn it, will be well aware of the amazing array of odd pronunciations we have in the language. These are mostly caused by amassing words from so many other languages over hundreds of years, but nevertheless make learning the mapping between what’s written, the context it’s written in and how it’s pronounced a very tricky goal.
There have been various stories, essays and verses written to highlight many ambiguities and irregularities present in the pronunciation of different but similarly spelt words. An excellent example of this is a lengthy poem called The Chaos, written by Gerard Nolst Trenité (aka Charivarius), 1870-1946, and published in 1920 in the 4th edition of his 1909 textbook Drop Your Foreign Accent: engelsche uitspraakoefeningen.
Since its original publication it has been modified and reworked several times, with the original author’s version being 146 lines long and his last version (in the 7th edition of the book in 1944) was nearly twice as long. Various subsequent updates and revisions have been made around the world since then. The version presented by The English Spelling Society is 274 lines and highlights over 800 irregularities, and is preceded by a detailed history on the poem.
The poem’s first lines suggest it is written as if to one of Trenité’s students, Susy.
Anyway, here’s the authoritative version as presented by The English Spelling Society, with every tenth line numbered and set out like the author’s original version, with alternate couplets indented and problem words italicised.